It is the same process that has, in the past, led to multiple versions of Lil WayneвЂ™s A Milli, or Ace HoodвЂ™s Bugatti.ДЇor Jahlil Beats, it means money in the bank every time the instrumental is played. вЂњItвЂ™s crazy вЂ“ this is the first time this has actually happened to me.вЂќ вЂњIf a DJ plays a freestyle with my beat, I get paid through my Ascap,вЂќ he says, referring to the American Society of Composers, Authors and Publishers, which handles royalties.

In any other circumstances doing this kind of thing would earn you a snotty notice from a lawyer. Jahlil Beats isnвЂ™t the only producer to be unfazed by artists reworking his tracks. Mississippi rapper and producer Big K.R.I.T has both remade other artistsвЂ™ music, and had the same thing done to his own work. вЂњI pride myself on feeling like I can make a beat for anybody, and that my music can inspire people to make dope songs without me having to guide them.вЂќ While not every producer feels the same way вЂ“ Los Angeles super producer DJ Mustard recently took to Twitter to express his anger at rappers jacking his beats вЂ“ itвЂ™s still a widely-accepted practice. Now that a hot track can spawn so many versions, speed is crucial. Hit songs often have a short shelf life, and a rapper who comes late to the party might struggle to get noticed. They have to pick up on the track, write their own version, then record, mix, master and release it, all in an extremely short time.Д«rooklyn rapper Joell Ortiz is one of the undisputed masters as far as timing is concerned.

OrtizвЂ™s version, Outta Control, was the first one out.Д«ig SeanвЂ™s 2013 song Control featured an aggressive verse from Kendrick Lamar that inspired plenty of artists to drop responses on the same beat вЂ“ particularly those who took exception to the Los Angeles-based Lamar claiming that he was the вЂњking of New YorkвЂќ. вЂњControl came out in the evening,вЂќ Ortiz recalls, вЂњand I didnвЂ™t know. We got there at about 11 or 12, by two it was finished, and we put it out.вЂќ I woke up the next morning, and was like, what the heck is everybody talking about? I heard it at about 9am, and immediately called my engineer, and said, I need you in the studio ASAP. Getting hold of a workable version of a beat is usually a case of finding a segment without vocals, then chopping it up and looping it. ThatвЂ™s how Ortiz ended up rocking over a perfectly formed version of Control less than 24 hours after the original dropped. said, вЂLetвЂ™s leave a little bit of space,вЂ™вЂќ Ortiz says. We couldnвЂ™t reach No ID for comment, but even if we could, we doubt heвЂ™d let on.

Jahlil beats crack music 7